Writing & Reporting Al Jazeera English Who profits from the music genres created by Black artists?Why are migrant children working dangerous jobs in the US?Will foreign intervention help or hurt Haiti?What’s behind Jackson, Mississippi’s continuing water crisis?South Africa’s poor struggle for land rights post-apartheid Oxford American The Old Time Sounds of ClifftopGhost Relics: An Interview with Sasha von Oldershausen NACLA The War on Cuba Documentary Tells the Story of the U.S. EmbargoIn Belize, a Win for Black Dockworkers The New Republic Election Season Is Wildfire Season. These Voters Lost Everything. The Los Angeles Review of Books Another One Rides the Bus: Systems of Mass Transit as Vehicles of Protest The Fine Print Where Media Money Went in the MidtermsA Long, Twisting Road Back to the OfficeIs Harper’s $40,000 Assistant Editor Salary Against the Law?A Reckoning for Recommendations The Indypendent Cuba Journey: Resisting the Blockade, 60 Years LaterRikers Island Transferees Now Held in Maximum Security Prison Where Drinking Water Tastes Like SewageCuba Under SiegeDianne Morales’ ‘Beautiful Mess’Crown Heights Residents Fight to Save Associated SupermarketDrawn to the News: NYC Painter Elise Engler Turns Headlines into Art Adroit Journal Review of JinJin Xu’s ‘There is Still Singing in the Afterlife’ Oxpeckers Investigative Environmental Journalism How #MineAlert helped MabolaIs Mabola open for mining? Arkansas Times Not just a fluke: Wednesday Night Poetry celebrates 30 yearsAn interview with Esmé Weijun WangKOKY’s long history of amplifying black voices in Little Rock‘Oppressors are not that creative’: A Q&A with Maurice Carlos Ruffin Nieman Lab “WhatsApp has come in to fill the void”: In Zimbabwe, the future of news is messaging Off Assignment Eklai Marie Claire ‘To Kill a Mockingbird’s’ Scout Shares Thoughts on Harper Lee’s ‘Go Set a Watchman’Here's What the Presidential Candidates Had to Say About Diversity at Last Night's Brown and Black Forum